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	<title>Musical America Blogs &#187; Barbara Frittoli</title>
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		<title>Is there an artist in the house?</title>
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		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Peter McClintock]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

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		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>Loss, Lust and Repentance at the DSO</title>
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		<pubDate>Fri, 27 Apr 2012 13:30:18 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[Deutsches Symphonie-Orchester Berlin]]></category>
		<category><![CDATA[Ewa Wolak]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Hindemith]]></category>
		<category><![CDATA[Jana Kurucová]]></category>
		<category><![CDATA[Lioba Braun]]></category>
		<category><![CDATA[Maria Luigia Borsi]]></category>
		<category><![CDATA[Melanie Diener]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[Skryabin]]></category>
		<category><![CDATA[Theodor Adorno]]></category>

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		<description><![CDATA[By Rebecca Schmid Of Berlin’s seven major orchestras, the Deutsches Symphonie-Orchester (DSO) is beloved among connoisseurs for its innovative programming. For the past five seasons, the orchestra has offered “Casual Concerts” concluding with a DJ act in the foyer of the Philharmonie, as initiated by former Music Director Ingo Metzmacher. In what the Berliner Zeitung [...]]]></description>
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