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	<title>Musical America Blogs &#187; avery fisher hall</title>
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		<title>New York Rites</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7453</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7453#comments</comments>
		<pubDate>Fri, 21 Sep 2012 17:11:32 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[Ives]]></category>
		<category><![CDATA[Kurtag]]></category>
		<category><![CDATA[Leif Ove Andsnes]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Stockhausen]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[The Rite of Spring]]></category>
		<category><![CDATA[Vaslav Nijinsky]]></category>

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		<description><![CDATA[By Rebecca Schmid In Berlin, where contemporary music thrives from the Philharmonie to off spaces, it is a widespread perception that New York’s mainstream institutions are afraid to program anything past Stravinsky. A look at Alan Gilbert’s recent undertakings with the New York Philharmonic, notably in a hugely successful “360” concert of Mozart, Stockhausen, Boulez [...]]]></description>
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		<title>Finding the Right Gimmick</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4184</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4184#comments</comments>
		<pubDate>Wed, 14 Mar 2012 16:01:21 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Leinsdorf]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[verdi]]></category>

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		<description><![CDATA[by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered [...]]]></description>
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		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

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		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
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		<title>Ruminations and reflections, Lyonnais</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2973</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2973#comments</comments>
		<pubDate>Mon, 17 Oct 2011 14:52:07 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Andrea Bocelli]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Christopher Plummer]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[John Corigliano]]></category>
		<category><![CDATA[Lyons]]></category>

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		<description><![CDATA[By Alan Gilbert I’ve recently tried my hand at acrylic painting, and just bought a how-to book that stresses the overriding importance of composition — i.e. form and the use of spatial elements — in a successful work of art. By that measure, I can tell you right now that this blog entry will not [...]]]></description>
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		<title>A Möst Rewarding Partnership</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2202</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2202#comments</comments>
		<pubDate>Thu, 28 Jul 2011 04:50:14 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[cleveland orchestra]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[jeffrey kahane]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[van cliburn competition]]></category>
		<category><![CDATA[youth orchestra]]></category>

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		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. In March of this year, I was invited to speak to a wonderful group of arts supporters in Pasadena, California, by the name of Metropolitan Associates. They were interested in hearing about my career in artist management and in having the opportunity to ask questions [...]]]></description>
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		</item>
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		<title>Second entry from our esteemed, don&#8217;t-make-me-do-this blogger</title>
		<link>http://www.musicalamerica.com/mablogs/?p=432</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=432#comments</comments>
		<pubDate>Thu, 26 Feb 2009 18:36:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[celesta]]></category>
		<category><![CDATA[george szell]]></category>
		<category><![CDATA[jack gottlieb]]></category>
		<category><![CDATA[karita mattila]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[pierre boulez]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[tommasini]]></category>
		<category><![CDATA[tone music]]></category>
		<category><![CDATA[tone rows]]></category>
		<category><![CDATA[vienna school]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=432</guid>
		<description><![CDATA[Why I Left Muncie. Half a dozen things to do every night without turning on a TV; Lincoln Center and Carnegie Hall a stone’s throw from home; the Sunday Times on Saturday night; MoMA and the Met; theater and film; in the good old days, record stores. This title is kind of unfair to my [...]]]></description>
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