<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Ashley Bouder</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=ashley-bouder" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 04:15:38 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Music and Dance Partnerships</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7515</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7515#comments</comments>
		<pubDate>Wed, 26 Sep 2012 15:53:29 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alice Tully]]></category>
		<category><![CDATA[Apollon Musagète]]></category>
		<category><![CDATA[Ashley Bouder]]></category>
		<category><![CDATA[Chinese Zodiac]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Doris Humphrey]]></category>
		<category><![CDATA[El Sistema]]></category>
		<category><![CDATA[Ellen Bar]]></category>
		<category><![CDATA[Enjoy Your Rabbit]]></category>
		<category><![CDATA[Francisco Ruvalcaba]]></category>
		<category><![CDATA[Gabriela Poler-Buzali]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Igor Stravinsky]]></category>
		<category><![CDATA[Jose Limon]]></category>
		<category><![CDATA[Justin Peck]]></category>
		<category><![CDATA[Kathryn Alter]]></category>
		<category><![CDATA[Limon Dance Company]]></category>
		<category><![CDATA[Michael Atkinson]]></category>
		<category><![CDATA[Missa Brevis]]></category>
		<category><![CDATA[Monte Carlo]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Peter B. Lewis Theater]]></category>
		<category><![CDATA[Peters Martins]]></category>
		<category><![CDATA[Simon Bolivar National Youth Choir]]></category>
		<category><![CDATA[Sufjan Stevens]]></category>
		<category><![CDATA[Tiler Peck]]></category>
		<category><![CDATA[Work & Process]]></category>
		<category><![CDATA[Year of the Rabbit]]></category>
		<category><![CDATA[Zoltan Kodaly]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7515</guid>
		<description><![CDATA[Another event that featured music as much as dance was the September 17 Alice Tully Hall performance of the Simón Bolivar National Youth Choir and the José Limón Dance Company. The highlight of the one-night only occasion, celebrating Venezuala’s El Sistema, was Missa Brevis. ]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7515</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ballet drag</title>
		<link>http://www.musicalamerica.com/mablogs/?p=694</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=694#comments</comments>
		<pubDate>Mon, 16 Aug 2010 23:27:06 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Ashley Bouder]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Ballet Trockadero de Monte Carlo]]></category>
		<category><![CDATA[New York City Ballet]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=694</guid>
		<description><![CDATA[Most drag queens develop their outré identities in backroom clubs and on dimly lit cabaret floors. Chase Johnsey discovered his alter ego in a much more rarified atmosphere: On opera house stages across the globe, performing female leads in Le Corsaire and Dying Swan. At age 18, Johnsey joined Les Ballets Trockadero de Monte Carlo, [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=694</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>