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	<title>Musical America Blogs &#187; Anne-Sophie Mutter</title>
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		<title>Rocky Seas, a Waltz and a Violin Concerto</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7995</link>
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		<pubDate>Fri, 26 Oct 2012 11:18:02 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Andris Nelsons]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Benjmain Britten]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[Claude Debussy]]></category>
		<category><![CDATA[Johann Strauß]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[la mer]]></category>
		<category><![CDATA[La valse]]></category>
		<category><![CDATA[Luciano Berio]]></category>
		<category><![CDATA[Maurice Ravel]]></category>
		<category><![CDATA[peter grimes]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

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		<description><![CDATA[By Rebecca Schmid The programming of the Berlin Philharmonic, while reportedly having gravitated away from the players’ specialty in German repertoire since Sir Simon Rattle took the reins a decade ago, not only gives equal weight to post-Romantic repertoire but consistently illuminates connections between works which seem disparate at first glance. Andris Nelsons conducted the [...]]]></description>
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		<title>What We&#8217;ve Been Doing Lately</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1483</link>
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		<pubDate>Tue, 07 Jun 2011 15:50:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Budapest]]></category>
		<category><![CDATA[Daniel Boico]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Leipzig]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lisa Batiashvili]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sebastian Currier]]></category>

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		<description><![CDATA[By Alan Gilbert Those of us who were involved in preparing for last year’s production of Ligeti’s Le Grand Macabre are remembering the great excitement we all felt in this very same rehearsal room as we prepare for our upcoming performances of Janáček’s opera The Cunning Little Vixen, but are also amazed at how different [...]]]></description>
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