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	<title>Musical America Blogs &#187; American Ballet Theatre</title>
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		<title>The Ballet World and the Star System</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1338</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1338#comments</comments>
		<pubDate>Tue, 31 May 2011 21:35:00 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Albrecht]]></category>
		<category><![CDATA[Alina Cojocaru]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Basilio]]></category>
		<category><![CDATA[David Hallberg]]></category>
		<category><![CDATA[Don Quixote]]></category>
		<category><![CDATA[Giselle]]></category>
		<category><![CDATA[Jean-Georges Noverre]]></category>
		<category><![CDATA[Kevin McKenzie]]></category>
		<category><![CDATA[Kitri]]></category>
		<category><![CDATA[Metropolitan Opera House]]></category>
		<category><![CDATA[Polina Semionova]]></category>
		<category><![CDATA[R. J. Austin]]></category>
		<category><![CDATA[The Wilis]]></category>

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		<description><![CDATA[In 1955 the British dance critic R. J. Austin calculated that American Ballet Theatre, whose roster of choreographers continually changed, would focus on it star dancers to solidify its reputation as a premier ballet company. Austin calculated right. Today ABT is powerful because of its stupendous dancers, whether they’re on the masthead or employed as guest artists for only a season.]]></description>
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		<title>May Dance in New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=972</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=972#comments</comments>
		<pubDate>Tue, 03 May 2011 00:20:42 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[92nd St. Y]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alvin Ailey American Dance Theater]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Andrew Nemr]]></category>
		<category><![CDATA[Antony Tudor]]></category>
		<category><![CDATA[Apollo Theater]]></category>
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		<category><![CDATA[Balanchine]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[Benjamin Millepied]]></category>
		<category><![CDATA[Bharata Natyam]]></category>
		<category><![CDATA[Camille A. Brown]]></category>
		<category><![CDATA[Cedar Lake Contemporary Ballet]]></category>
		<category><![CDATA[Charles Atlas]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Dances Patrelle]]></category>
		<category><![CDATA[Danza Contemporanea de Cuba]]></category>
		<category><![CDATA[Gilbert & Sullivan]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Gus Solomons]]></category>
		<category><![CDATA[Joyce Theater]]></category>
		<category><![CDATA[Lynne Taylor-Corbett]]></category>
		<category><![CDATA[Marshall Davis]]></category>
		<category><![CDATA[Mats Ek]]></category>
		<category><![CDATA[Mondays with Merce]]></category>
		<category><![CDATA[Movement Research]]></category>
		<category><![CDATA[Nancy Dalva]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[New York City Dance Parade]]></category>
		<category><![CDATA[Odissi]]></category>
		<category><![CDATA[Patti Lupone]]></category>
		<category><![CDATA[Pedro Ruiz]]></category>
		<category><![CDATA[Rafael Bonachela]]></category>
		<category><![CDATA[Sakshi Productions]]></category>
		<category><![CDATA[Sydney Dance Company]]></category>
		<category><![CDATA[Trisha Brown]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[“Giselle]]></category>
		<category><![CDATA[“Lady of the Camellias]]></category>
		<category><![CDATA[” Dakshina Company]]></category>
		<category><![CDATA[” “Cinderella]]></category>
		<category><![CDATA[” “Coppelia]]></category>
		<category><![CDATA[” “Don Quixote]]></category>
		<category><![CDATA[” “Swan Lake]]></category>
		<category><![CDATA[” “The Sleeping Beauty]]></category>

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		<description><![CDATA[By Rachel Straus May 1-2 Guggenheim Museum The popular Works + Process series presents “American Ballet Theatre on to Act II.” Current ABT dancers will perform excerpts from their upcoming Metropolitan Opera House season. ABT alumni will discuss the challenges dancers face in the second act of their careers.  You can watch the event each [...]]]></description>
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		<title>&#8220;Black Swan&#8221;: A Beastly Ballet Film and Martha Hill: Modern Dance Wrestler</title>
		<link>http://www.musicalamerica.com/mablogs/?p=780</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=780#comments</comments>
		<pubDate>Tue, 07 Dec 2010 20:01:13 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Martha Hill]]></category>
		<category><![CDATA[Nathalie Portman]]></category>
		<category><![CDATA[Sarah Lane]]></category>
		<category><![CDATA[The Juilliard School]]></category>

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		<description><![CDATA[By Rachel Straus How many ballet clichés can one film hold? Answer: Enough to make you puke. And that is what Natalie Portman spends a fair amount of time doing in “Black Swan,” the pulp ballet movie directed by Darren Aronofsky, which opened December 3. Portman, who plays Nina Sayers, a corps member of a [...]]]></description>
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		<title>Jacob&#8217;s Pillow Dance Festival: Never a Dull Moment</title>
		<link>http://www.musicalamerica.com/mablogs/?p=692</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=692#comments</comments>
		<pubDate>Tue, 10 Aug 2010 15:34:42 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Jacob's Pillow Dance Festival]]></category>
		<category><![CDATA[Merce Cunningham]]></category>

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		<description><![CDATA[If you’ve ever sat in the theater watching a dance and wondered how the performers went from working with the choreographer in the studio to being masters of their own movement on the stage, the Emmy award-winning filmmaker Elliot Caplan has made just the documentary for you. It’s called 15 Days of Dance – The [...]]]></description>
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