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	<title>Musical America Blogs &#187; Alan Gilbert</title>
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		<title>Is there an artist in the house?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8649</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8649#comments</comments>
		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Peter McClintock]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8649</guid>
		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>Season of Concessions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7747</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7747#comments</comments>
		<pubDate>Thu, 11 Oct 2012 15:35:02 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Allianz]]></category>
		<category><![CDATA[Anja Harteros]]></category>
		<category><![CDATA[Audi]]></category>
		<category><![CDATA[Babylon]]></category>
		<category><![CDATA[Bavarian Radio Symphony Orchestra]]></category>
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		<category><![CDATA[Ferenc Fricsay]]></category>
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		<category><![CDATA[Hans Knappertsbusch]]></category>
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		<category><![CDATA[Jörg Widmann]]></category>
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		<category><![CDATA[Peter Dijkstra]]></category>
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		<category><![CDATA[Riccardo Chailly]]></category>
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		<category><![CDATA[Richard Jones]]></category>
		<category><![CDATA[Richard Strauss]]></category>
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		<category><![CDATA[Siemens]]></category>
		<category><![CDATA[Simon Rattle]]></category>
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		<category><![CDATA[Tomáš Hanus]]></category>
		<category><![CDATA[Turandot]]></category>
		<category><![CDATA[Ulf Schirmer]]></category>
		<category><![CDATA[Wolfgang Heubisch]]></category>
		<category><![CDATA[Wolfgang Sawallisch]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7747</guid>
		<description><![CDATA[By ANDREW POWELL Published: October 11, 2012 MUNICH — Arts groups here present a compromised 2012–13 season, facing pros and cons not always aligned with those in America. Funding holds steady. City and state (Bavaria) play their part, and local powerhouses — Siemens, BMW, Audi, Allianz, and Linde among them — step up habitually to [...]]]></description>
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		<item>
		<title>New York Rites</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7453</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7453#comments</comments>
		<pubDate>Fri, 21 Sep 2012 17:11:32 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[Ives]]></category>
		<category><![CDATA[Kurtag]]></category>
		<category><![CDATA[Leif Ove Andsnes]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Stockhausen]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[The Rite of Spring]]></category>
		<category><![CDATA[Vaslav Nijinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7453</guid>
		<description><![CDATA[By Rebecca Schmid In Berlin, where contemporary music thrives from the Philharmonie to off spaces, it is a widespread perception that New York’s mainstream institutions are afraid to program anything past Stravinsky. A look at Alan Gilbert’s recent undertakings with the New York Philharmonic, notably in a hugely successful “360” concert of Mozart, Stockhausen, Boulez [...]]]></description>
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		<item>
		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
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		</item>
		<item>
		<title>Cellphones and Their Ilk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3617</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3617#comments</comments>
		<pubDate>Wed, 18 Jan 2012 18:12:18 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Carter Brey]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Herbert von Karajan]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Newark]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Sir Thomas Beecham]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Tony Tommasini]]></category>
		<category><![CDATA[Valery Gergiev]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3617</guid>
		<description><![CDATA[by Sedgwick Clark   Many years ago I was sitting next to the p.r. director of the Berlin Philharmonic at Carnegie Hall when a cellphone went off as Simon Rattle conducted. When the piece ended I asked him if that happened in Berlin. &#8220;Everywhere,&#8221; he said sadly.    I left for vacation two days after the cellphone brouhaha at the New [...]]]></description>
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		</item>
		<item>
		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3574</guid>
		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
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		</item>
		<item>
		<title>Thinking About the Future</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3566</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3566#comments</comments>
		<pubDate>Mon, 09 Jan 2012 17:38:45 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Matthew VanBesien]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[nyphil]]></category>
		<category><![CDATA[Zarin Mehta]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3566</guid>
		<description><![CDATA[By Alan Gilbert On January 4 the Philharmonic made a very important announcement: Matthew VanBesien has been named the next Executive Director of the Orchestra. I feel very positive about this choice, as I was quoted as saying, but here I want to discuss some of the thoughts that have come to my mind in [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Ruminations and reflections, Lyonnais</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2973</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2973#comments</comments>
		<pubDate>Mon, 17 Oct 2011 14:52:07 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Andrea Bocelli]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Christopher Plummer]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[John Corigliano]]></category>
		<category><![CDATA[Lyons]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2973</guid>
		<description><![CDATA[By Alan Gilbert I’ve recently tried my hand at acrylic painting, and just bought a how-to book that stresses the overriding importance of composition — i.e. form and the use of spatial elements — in a successful work of art. By that measure, I can tell you right now that this blog entry will not [...]]]></description>
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		</item>
		<item>
		<title>Music and 9/11</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2439</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2439#comments</comments>
		<pubDate>Tue, 13 Sep 2011 13:24:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Resurrection]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2439</guid>
		<description><![CDATA[On Saturday, September 10 2011, Alan Gilbert spoke before the New York Philharmonic performed Mahler&#8217;s Symphony No. 2, Resurrection, on A Concert for New York. Following are his reflections that preceded the performance, which was telecast nationally on PBS and can be watched in full at http://www.pbs.org/wnet/gperf/episodes/a-concert-for-new-york/watch-the-fully-edited-broadcast-program-with-tom-brokaw/1182/. We are faced, on this anniversary, with the responsibility [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Afterthoughts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1737</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1737#comments</comments>
		<pubDate>Tue, 28 Jun 2011 13:24:04 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Janacek]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Vixen]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1737</guid>
		<description><![CDATA[By Alan Gilbert I have been thinking generally about how orchestras define themselves and, specifically, about what the New York Philharmonic means to the public we serve. Last week’s Philharmonic production of The Cunning Little Vixen was a joy to work on, and I am hugely proud of what we achieved as an institution. For [...]]]></description>
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