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	<title>Musical America Blogs &#187; Adriane Queiroz</title>
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		<title>‘The Magic Flute’ regains its Classical Garb</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8286</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8286#comments</comments>
		<pubDate>Fri, 16 Nov 2012 13:37:44 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adriane Queiroz]]></category>
		<category><![CDATA[Alina Anca]]></category>
		<category><![CDATA[Anna Lapkovskaja]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Aurelius Sängerknaben]]></category>
		<category><![CDATA[Carola Höhn]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[Emmanuel Schikaneder]]></category>
		<category><![CDATA[Friedrich Wilhelm]]></category>
		<category><![CDATA[Julien Salemkour]]></category>
		<category><![CDATA[Karl Friedrich Schinkel]]></category>
		<category><![CDATA[Konzerthaus Berlin]]></category>
		<category><![CDATA[Kyungho Kim]]></category>
		<category><![CDATA[Narine Yeghiyan]]></category>
		<category><![CDATA[Pavol Breslik]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[René Pape]]></category>
		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[Rowan Hellier]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Staatskapelle Berlin]]></category>
		<category><![CDATA[Staatsoper Berlin]]></category>
		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[W.A. Mozart]]></category>

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		<description><![CDATA[By Rebecca Schmid As Regietheater becomes the norm on opera stages in Germany, it is a pleasant, if not shocking, surprise to see a production of Die Zauberflöte that looks like a throwback to the time of its world premiere. The Staatsoper Berlin has revived a 1994 staging modelled after designs by the nineteenth-century Prussian [...]]]></description>
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