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	<title>Musical America Blogs &#187; Recordings</title>
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		<title>Ask, and Ye &#8220;May&#8221; Receive&#8230;or Not</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9109</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9109#comments</comments>
		<pubDate>Wed, 09 Jan 2013 06:25:20 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder, I am a music professor at a medium-sized state college. We have two questions with regard to live streaming some of our concerts and recitals. We, of course, have paid the ASCAP and BMI licenses/fees to cover the rights for live performances.  I believe the licensing agencies base [...]]]></description>
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		<title>Can We Loan Sheet Music?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8544</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8544#comments</comments>
		<pubDate>Wed, 28 Nov 2012 05:02:04 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[community orchestras]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
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		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[Liable]]></category>
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		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[orchestral performances]]></category>
		<category><![CDATA[orchestras]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sheet music]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8544</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: May we loan music that we own for orchestral performances by other non-profit organizations (schools, community orchestras, etc? Would the other group still need to obtain performing/recording permissions? Could we be liable if they don’t? It depends how define “own.” If by “own”, you mean that [...]]]></description>
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		<title>Can They Dance Away With My Copyright?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7934</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7934#comments</comments>
		<pubDate>Wed, 24 Oct 2012 03:20:21 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[creative works]]></category>
		<category><![CDATA[dance]]></category>
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		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[ownership]]></category>
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		<category><![CDATA[permission]]></category>
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		<category><![CDATA[royalty]]></category>
		<category><![CDATA[video footage]]></category>
		<category><![CDATA[videographer]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[videotapes]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7934</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. I own the video footage of a performance by a dance company. Recently, I learned that another choreographer purchased a license from the dance company to recreate and perform the same work. However, they used a copy of my video to help in recreating the choreography. In other words, they [...]]]></description>
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		<title>Can A Visitor Record An Album?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7667</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7667#comments</comments>
		<pubDate>Wed, 03 Oct 2012 04:53:35 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<category><![CDATA[visitor]]></category>
		<category><![CDATA[visitor visa]]></category>
		<category><![CDATA[waiver]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7667</guid>
		<description><![CDATA[By Brian Taylor Goldstein So glad I found your page on the internet, so far it’s been the most helpful out of all my Google searches! I have just a couple of questions. We are from Australia and I have a 14 year old son who has signed a recording contract in the US. Currently we are traveling [...]]]></description>
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		<title>Listen To Your Mother and Get It In Writing!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7105</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7105#comments</comments>
		<pubDate>Wed, 05 Sep 2012 05:31:23 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[musician]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[royalties]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7105</guid>
		<description><![CDATA[By Brian Taylor Goldstein Can you answer this question for us?  My soon to be son-in-law is a musician. He has written and recorded many songs, and is producing his first CD.  One of the songs on the CD, he had a female friend sing with him.  If he plans to put this song on [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Generic Forms: A Prescription For Trouble</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4708</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4708#comments</comments>
		<pubDate>Wed, 02 May 2012 03:46:07 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[general release form]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[music programs]]></category>
		<category><![CDATA[musician]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[release]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4708</guid>
		<description><![CDATA[By Brian Taylor Goldstein HELLO - How can an organization that presents music programs, and puts some of them on the Internet, find a good general release form for artists/speakers to sign? The tricky part about forms is not finding them, but choosing which one is right. There are lots of sources for good general [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Posting Musical Performances on YouTube</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4440</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4440#comments</comments>
		<pubDate>Wed, 04 Apr 2012 05:24:21 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[law and disorder]]></category>
		<category><![CDATA[musical performance]]></category>
		<category><![CDATA[performance license]]></category>
		<category><![CDATA[Robyn Guilliams]]></category>
		<category><![CDATA[synchronization license]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4440</guid>
		<description><![CDATA[By Robyn Guilliams Dear Law and Disorder, What are the copyright issues in posting a performance of a piece of music on YouTube for global streaming?  And, since people can easily download YouTube content, what are the implications for the person who&#8217;s posted it, or the downloaders for that matter? Before answering your question, I [...]]]></description>
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