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	<title>Musical America Blogs &#187; Artist Management</title>
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		<title>Distinguished Artists Are Extraordinary Artists!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9185</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9185#comments</comments>
		<pubDate>Wed, 16 Jan 2013 06:19:15 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[Tour]]></category>
		<category><![CDATA[uscis]]></category>
		<category><![CDATA[visa petition]]></category>

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		<description><![CDATA[By Brian Taylor Goldstein, Esq. Hi Musical America, I am a Danish citizen and I plan to go to the Unites States on a promo tour in spring. I know that it is necessary to apply for an O-1B visa being a solo artist. I have a native US promoter who will petition for me. [...]]]></description>
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		<title>What&#8217;s Wrong With Canada?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8915</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8915#comments</comments>
		<pubDate>Wed, 19 Dec 2012 06:55:55 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[canadian performers]]></category>
		<category><![CDATA[canadians]]></category>
		<category><![CDATA[north american free trade agreement]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[Robyn Guilliams]]></category>
		<category><![CDATA[visa requirement]]></category>
		<category><![CDATA[work authorization]]></category>
		<category><![CDATA[work permits]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8915</guid>
		<description><![CDATA[By Robyn Guilliams, Esq. Dear Law and Disorder Why is it necessary for Canadian performers to obtain work permits in order to perform in the United States? Although Visas are not necessary, the work permit is necessary. Why are the artists not able to enter the way other business people under the North American Free Trade Agreement? Cultural [...]]]></description>
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		<title>Can I Re-Use an Old Union Consult Letter for a Visa Petition?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8868</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8868#comments</comments>
		<pubDate>Wed, 12 Dec 2012 04:57:57 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[3 years]]></category>
		<category><![CDATA[afm]]></category>
		<category><![CDATA[agma]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[consultation letter]]></category>
		<category><![CDATA[consultations]]></category>
		<category><![CDATA[engagements]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[petitioner]]></category>
		<category><![CDATA[rfe]]></category>
		<category><![CDATA[uscis]]></category>
		<category><![CDATA[visa petition]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8868</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Last year I filed a P-1 petition for a group. I obtained a consult letter from AFM. When I filed a petition for their 2013 tour, the USCIS said I needed to get a new consult letter. I thought that union opinion letters are good for [...]]]></description>
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		<title>Silence Is Not Golden!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8621</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8621#comments</comments>
		<pubDate>Wed, 05 Dec 2012 05:50:42 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[bookings]]></category>
		<category><![CDATA[breach]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[cancellation fee]]></category>
		<category><![CDATA[contractual relationship]]></category>
		<category><![CDATA[damages]]></category>
		<category><![CDATA[formal contract]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[venue]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8621</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Help! We are a small agency. We booked an engagement for one of our artists at a venue that has now cancelled the date. We had a series of emails with the venue confirming the date and fee and then sent them a formal contract that [...]]]></description>
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		<title>Not Even God Can Act Without A Contract!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8260</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8260#comments</comments>
		<pubDate>Wed, 14 Nov 2012 06:54:26 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Acts of God]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[act of god]]></category>
		<category><![CDATA[acts of god]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[cancellation]]></category>
		<category><![CDATA[cancellations]]></category>
		<category><![CDATA[contractual provision]]></category>
		<category><![CDATA[damages]]></category>
		<category><![CDATA[flood]]></category>
		<category><![CDATA[force majeure]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[injury]]></category>
		<category><![CDATA[Liable]]></category>
		<category><![CDATA[payment]]></category>
		<category><![CDATA[poor ticket sales]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[unforeseen event]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8260</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. No sooner had Super Storm Sandy begun crashing into the East Coast when my phone started ringing with cancellations. The most common question went something like this: “The presenter needs to cancel, but they already paid a deposit. Do we have to give it back? What the protocol?” The second [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8260</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I&#8217;ll Show You My Visa If You Show Me Yours!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8027</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8027#comments</comments>
		<pubDate>Wed, 31 Oct 2012 04:36:11 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[approval notice]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[Chinese]]></category>
		<category><![CDATA[entry visas]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[multiple entry visa]]></category>
		<category><![CDATA[reciprocity]]></category>
		<category><![CDATA[single entries]]></category>
		<category><![CDATA[single entry]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[travel state gov]]></category>
		<category><![CDATA[united states state department]]></category>
		<category><![CDATA[visa application]]></category>
		<category><![CDATA[visa fees]]></category>
		<category><![CDATA[visa petition]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8027</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. First and foremost: our thoughts and prayers go out to everyone recovering from and impacted by Hurricane Sandy. From property destruction to physical injuries and deaths, it has caused immeasurable damage. For those of us in the arts industry, its also caused cancellations and logistical nightmares, but performances can always [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8027</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>They Can&#8217;t Do That To Me!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7718</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7718#comments</comments>
		<pubDate>Wed, 10 Oct 2012 03:52:17 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[attorney]]></category>
		<category><![CDATA[breach]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[cancellation]]></category>
		<category><![CDATA[cancellation clause]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[contract law]]></category>
		<category><![CDATA[damages]]></category>
		<category><![CDATA[enforceable contract]]></category>
		<category><![CDATA[engagement contract]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[judgment]]></category>
		<category><![CDATA[lawsuit]]></category>
		<category><![CDATA[losses]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[venue]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7718</guid>
		<description><![CDATA[By Brian Taylor Goldstein I just got a notice that a venue where I booked one of my artists is closing. I have a written engagement contract that was signed by the venue over a year ago. The notice I received says that they have run out of money and are cancelling their season. Can [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7718</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Can A Visitor Record An Album?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7667</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7667#comments</comments>
		<pubDate>Wed, 03 Oct 2012 04:53:35 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artistsfromabroad]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[business meetings]]></category>
		<category><![CDATA[citizens]]></category>
		<category><![CDATA[competitions]]></category>
		<category><![CDATA[exceptions]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[music labels]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sightseeing]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[valid passport]]></category>
		<category><![CDATA[visa waiver countries]]></category>
		<category><![CDATA[visa waiver program]]></category>
		<category><![CDATA[visitor]]></category>
		<category><![CDATA[visitor visa]]></category>
		<category><![CDATA[waiver]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7667</guid>
		<description><![CDATA[By Brian Taylor Goldstein So glad I found your page on the internet, so far it’s been the most helpful out of all my Google searches! I have just a couple of questions. We are from Australia and I have a 14 year old son who has signed a recording contract in the US. Currently we are traveling [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What Are You Trying To Hide?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7487</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7487#comments</comments>
		<pubDate>Wed, 26 Sep 2012 04:36:58 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[bill]]></category>
		<category><![CDATA[bookkeeping]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[disclosure]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[itemization]]></category>
		<category><![CDATA[management company]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[reimbursable expenses]]></category>
		<category><![CDATA[unreasonable request]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7487</guid>
		<description><![CDATA[By Brian Taylor Goldstein I run a small management company. In addition to our commissions, we bill our artists monthly for their share of expenses (conference fees, publicity materials, etc.) One of our artists is now refusing to pay unless we provide her with an itemization of expenses. Do I have to give her one? [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7487</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>When You&#8217;re Right, You&#8217;re Right!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7424</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7424#comments</comments>
		<pubDate>Wed, 19 Sep 2012 05:29:52 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artistsfromabroad]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[exceptions]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[passports]]></category>
		<category><![CDATA[payment]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[university]]></category>
		<category><![CDATA[visa waiver program]]></category>
		<category><![CDATA[visa waiver scheme]]></category>
		<category><![CDATA[visitor]]></category>
		<category><![CDATA[visitor visa]]></category>
		<category><![CDATA[waiver]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7424</guid>
		<description><![CDATA[By Brian Taylor Goldstein I wonder if you would mind giving me some advice on a visa situation with one of my artists. To summarise, I represent a British artist who was commissioned to write a 7 minute piece for a university in the United States which will be premiered in 2013. The artist will [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7424</wfw:commentRss>
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