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	<title>Musical America Blogs &#187; Arts Administration</title>
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		<title>Who Should Write Program Notes?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7675</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7675#comments</comments>
		<pubDate>Thu, 04 Oct 2012 04:15:45 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
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		<category><![CDATA[Bert Harclerode]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
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		<category><![CDATA[Sciolino]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Mollie Alred of Sciolino Artist Management who won a $25 gift card for submitting the following question Dear Edna: As a manager of classical musicians, I have the opportunity to work with many different presenters. No matter the type of presenter, size of [...]]]></description>
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		<title>Job Hopping</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4767</link>
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		<pubDate>Thu, 10 May 2012 04:15:19 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: Although my question is more of a general workplace question than a musical one, I am writing in recognition of the many years you spent at the helm of an artist management agency in hopes that you will give me an honest reaction [...]]]></description>
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		<title>Pursuing Two Careers Simultaneously</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3545</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3545#comments</comments>
		<pubDate>Thu, 05 Jan 2012 03:35:59 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
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		<category><![CDATA[kennedy center]]></category>
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		<category><![CDATA[Los Angeles Opera]]></category>
		<category><![CDATA[musical america]]></category>
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		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3545</guid>
		<description><![CDATA[   by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a composer, recently graduated with two Masters degrees, and I have chosen the administrative route for a small and ambitious organization. In your earlier column entitled “Overqualified and Underemployed”, you rightly wrote that many connections can be made working in [...]]]></description>
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		<title>Gateways to Jobs in Arts Administration</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2996</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2996#comments</comments>
		<pubDate>Thu, 20 Oct 2011 04:57:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
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		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I hope you won’t mind a slightly different question from those you have been answering so splendidly and thoroughly in your excellent columns, asked by one of your former colleagues and longtime friends. I come from a small town in the United Kingdom. [...]]]></description>
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		<title>Crossing Over to the Other Side</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2495</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2495#comments</comments>
		<pubDate>Thu, 22 Sep 2011 04:15:09 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[artist manager]]></category>
		<category><![CDATA[arts administration]]></category>
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		<category><![CDATA[Landau]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2495</guid>
		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. Dear Edna: I read your blog regularly and am happy that you welcome questions from people of all ages and all corners of the arts world. I have worked in the orchestra sector, in the area of arts administration, for the past seven years. I [...]]]></description>
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		<title>A Möst Rewarding Partnership</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2202</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2202#comments</comments>
		<pubDate>Thu, 28 Jul 2011 04:50:14 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[avery fisher hall]]></category>
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		<category><![CDATA[edna]]></category>
		<category><![CDATA[jeffrey kahane]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[van cliburn competition]]></category>
		<category><![CDATA[youth orchestra]]></category>

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		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. In March of this year, I was invited to speak to a wonderful group of arts supporters in Pasadena, California, by the name of Metropolitan Associates. They were interested in hearing about my career in artist management and in having the opportunity to ask questions [...]]]></description>
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		<title>Overqualified and Underemployed</title>
		<link>http://www.musicalamerica.com/mablogs/?p=990</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=990#comments</comments>
		<pubDate>Thu, 05 May 2011 04:21:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=990</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. A note to my readers: The question below is a long one. I asked the writer to condense it, which she did, but after reading that version, I felt that the poignancy and impact of the original message were significantly reduced. I suspect that [...]]]></description>
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		<title>Breaking Through the Wall</title>
		<link>http://www.musicalamerica.com/mablogs/?p=879</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=879#comments</comments>
		<pubDate>Thu, 24 Feb 2011 15:01:33 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=879</guid>
		<description><![CDATA[by Edna Landau Dear Edna (wise sage of the management world): I was hoping you could give me a little insight into manager best practices. It increasingly feels like orchestras want to deal solely with big management. The more I look at the season lineups, the more it seems they look to only one or [...]]]></description>
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