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	<title>Musical America Blogs &#187; An American in Paris</title>
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		<title>New Year&#8217;s Resolutions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9166</link>
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		<pubDate>Sat, 12 Jan 2013 21:11:36 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Annette Dasch]]></category>
		<category><![CDATA[Jose Cura]]></category>
		<category><![CDATA[Marek Janowski]]></category>
		<category><![CDATA[mikko franck]]></category>
		<category><![CDATA[Paolo Arrivabeni]]></category>
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		<description><![CDATA[By:  Frank Cadenhead It was just the second day of the new year that good news arrived. A new scientific study indicates that being a few pounds overweight has little or no effect on your general health. That was Resolution No. 1. I did not read the entire report, not exactly wanting to hear the [...]]]></description>
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		<title>Two Scandals in Paris</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8952</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8952#comments</comments>
		<pubDate>Sun, 23 Dec 2012 16:32:07 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Anna Catherina Antonacci]]></category>
		<category><![CDATA[Dominique Meyer]]></category>
		<category><![CDATA[Gerard Mortier]]></category>
		<category><![CDATA[Michel Franck]]></category>
		<category><![CDATA[Nadja Michael]]></category>
		<category><![CDATA[Nicolas Joel]]></category>
		<category><![CDATA[Philippe Jordan]]></category>

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		<description><![CDATA[By: Frank Cadenhead The two Parisian scandals on everyone&#8217;s lips in December were operatic in scope but also happened to be about opera. After all, Paris is still a city where artists are the center of continuing debate with their audiences. How timely this is since, in a few days, 2013 arrives with the centenary [...]]]></description>
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		<title>Is there an artist in the house?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8649</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8649#comments</comments>
		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Peter McClintock]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8649</guid>
		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>Goin&#8217; Home &#8211; well, New York anyway.</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8551</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8551#comments</comments>
		<pubDate>Wed, 28 Nov 2012 22:00:28 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Andrey Boreyko]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[New York Philharmonic]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8551</guid>
		<description><![CDATA[By: Frank Cadenhead It was appropriate. A visit to New York over the Thanksgiving holiday started off musically with Dvorak&#8217;s New World Symphony with its famed Largo  -  the one with the &#8220;Goin&#8217; Home&#8221; tune. It has been years since my last visit with the New York Philharmonic in their hall and I did not [...]]]></description>
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		<title>A Cultural Armageddon?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8266</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8266#comments</comments>
		<pubDate>Wed, 14 Nov 2012 17:13:12 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8266</guid>
		<description><![CDATA[By: Frank Cadenhead &#8220;What? America doesn&#8217;t have a Minister of Culture?!&#8221; I remember a good friend asking. &#8220;How do they manage?&#8221; The short answer: they don&#8217;t. To translate the French words politique culturelle into American English poses problems, since the concept essentially does not exist. It generally refers to the government&#8217;s policies for the arts but the [...]]]></description>
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		<title>&#8220;Trick or Treat?&#8221;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8054</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8054#comments</comments>
		<pubDate>Thu, 01 Nov 2012 14:46:29 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Berlioz]]></category>
		<category><![CDATA[Cesar Franck]]></category>
		<category><![CDATA[Christian Arming]]></category>
		<category><![CDATA[Le Nozzi di Figaro]]></category>
		<category><![CDATA[Liege Royal Philharmonic Orchestra]]></category>
		<category><![CDATA[Luc Van Hove]]></category>
		<category><![CDATA[Macbeth]]></category>
		<category><![CDATA[Mascagni]]></category>
		<category><![CDATA[Nabucco]]></category>
		<category><![CDATA[Paolo Arrivabeni]]></category>
		<category><![CDATA[Royal Opera of Wallonia]]></category>
		<category><![CDATA[Sophie Karthäuser]]></category>
		<category><![CDATA[Stradella]]></category>
		<category><![CDATA[Va Pensiero]]></category>
		<category><![CDATA[verdi]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8054</guid>
		<description><![CDATA[By: Frank Cadenhead It was Halloween night. I should have expected something. The Belgians were in town to show off their musical muscle and brought both the Liege Royal Philharmonic Orchestra and the Chorus and Orchestra of the Royal Opera of Wallonia. Belgium’s lower half is called Wallonia. They speak French and Liege is the [...]]]></description>
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		<title>Too much of a good thing?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8019</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8019#comments</comments>
		<pubDate>Tue, 30 Oct 2012 22:15:33 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[John Eliot Gardiner]]></category>
		<category><![CDATA[Monteverdi Choir]]></category>
		<category><![CDATA[Orchestre révolutionnaire et romantique]]></category>
		<category><![CDATA[Salle Pleyel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8019</guid>
		<description><![CDATA[By: Frank Cadenhead Beethoven&#8217;s Missa Solemnis is a monument of world culture. It is not just a musical masterpiece but an extraordinary gift to our collective humanity. It is like a Michelangelo, a Titian, a Shakespeare play, a poem by Goethe &#8211; so utterly astounding that anyone has to wonder how the artist, a mere [...]]]></description>
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		<title>Mikko Franck Scores Big</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7886</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7886#comments</comments>
		<pubDate>Thu, 18 Oct 2012 15:51:15 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[bayreuth festival]]></category>
		<category><![CDATA[cosima wagner]]></category>
		<category><![CDATA[Isolde]]></category>
		<category><![CDATA[mikko franck]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[Tristan]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7886</guid>
		<description><![CDATA[By Frank Cadenhead A top orchestra manager in Paris once told me in private &#8220;What is Mikko Franck still doing in Finland?&#8221; Born in Helsinki in 1979, he was already on the international circuit at 23 and has frequently guest-conducted in Paris. He would be an obvious choice for a major orchestra and his leadership [...]]]></description>
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		<title>Money, Money, Money</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7817</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7817#comments</comments>
		<pubDate>Sat, 13 Oct 2012 20:47:57 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>

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		<description><![CDATA[By: Frank Cadenhead October 13, 2012. It certainly is the first time, and probably the last, that I will be able to join my home town, San Diego, together with the French city, Lyon, in the same sentence. But two similar stories in these cities have struck a chord. The first is a surprising item [...]]]></description>
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		<title>New Blogger from Paris &#8211; with News</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7772</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7772#comments</comments>
		<pubDate>Thu, 11 Oct 2012 18:55:38 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>

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		<description><![CDATA[Paris, Thursday, October 11, 2012. When I was growing up in San Diego, one of my passions was the New Yorker column, &#8220;Letters from Paris&#8221; by the grand and gifted Janet Flanner. Her reports from this city, full of energy, intellect, passion, contradictions and good food, could have been one of the reasons I live [...]]]></description>
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