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Date Location Event
September 19-21, 2012 Dallas, TX Radio Show
September 19-22, 2012 Miami, FL Performing Arts Exchange
September 21-23, 2012 Munich, Germany Automotive Audio, 48th International Conference
October 11-14, 2012 St. Charles, IL American Music Therapy Association Conference
October 15-18, 2012 Boise, ID Arts Northwest Annual Conference
October 26-29, 2012 San Francisco, CA Audio Engineering Society Convention
November 1-4, 2012 New Orleans, LA American Musicological Society Annual Conference
November 1-4, 2012 New Orleans, LA Society for Ethnomusicology Conference
November 1-4, 2012 New Orleans, LA Society for Music Theory Annual Meeting
November 12-18, 2012 Montreal, QC CINARS (International Exchange for the Performing Arts)
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January 23-26,2013 Toronto, ON Canadian Arts Presenting Association
January 24-27, 2013 Anaheim, CA National Association of Music Merchants Show
January 29-31, 2013 Orlando, FL International Ticketing Association Annual Conference
February 6-8, 2013 London, England Audio for Games, 49th International Conference
February 16-20, 2013 Nashville, TN National Association for Campus Activities National Convention
February 27-March 3, 2013 San Jose, CA Music Library Association Annual Meeting
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
March 6-9, 2013 Tampa, FL American Bandmasters Association Annual Convention
March 9-13, 2013 Anaheim, CA Music Teachers National Association National Conference
March 13-16-,2013 Dallas, TX American Choral Directors Association National Conference
March 20-23, 2013 Milwaukee, WI US Institute for Theatre Technology Annual Conference
April 6-11, 2013 Las Vegas, NV National Association of Broadcasters Show
June 2-7, 2013 Montreal, QC International Congress on Acoustics
June 15-18, 2013 St. Louis, MO Conductors Guild Annual Conference
June 19-22, 2013 Wroclaw, Poland International Society for the Performing Arts
July 10-14, 2013 Chicago, IL Piano Technicians Guild Convention
August 26-30,2013 Los Angeles, CA Western Arts Alliance Conference
October 31-November 3, 2013 Cambridge, MA College Music Society National Conference
January 22-25, 2014 Toronto, ON Canadian Arts Presenting Association
January 28-30, 2014 Chicago, IL International Ticketing Association Annual Conference
March 22-26, 2014 Chicago, IL Music Teachers National Association National Conference
June 23-27, 2014 Boston, MA American Guild of Organists
October 29-November 2, 2014 St. Louis, MO College Music Society National Conference
January 21-24, 2015 TBD Canadian Arts Presenting Association
June 20-23, 2016 Houston, TX American Guild of Organists

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

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During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

Law and Disorder:

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The legal blog from GG Arts Law


The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.

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Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.

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Press Releases

Opera Parallèle Presents Bay Area Premiere of Osvaldo Golijov's Riveting Ainadamar February 15, 16 and 17 at Yerba Buena Center for the Arts

January 8, 2013 | By Karen Ames Communications

SAN FRANCISCO, January 8, 2013 – The acclaimed San Francisco opera company, Opera Parallèle, presents the Bay Area premiere of Osvaldo Golijov’s Ainadamar February 15, 16 and 17 at San Francisco’s Yerba Buena Center for the Arts. Opera Parallèle’s community engagement activities include the tradition of a Sneak Preview and an Open Rehearsal offered to the public free of charge in addition to a free Student Preview Performance open to invited high school and college students in the Bay Area.

Osvaldo Golijov’s riveting opera, Ainadamar, is inspired by the confrontation between poet Federico García Lorca and the Fascist regime during the Spanish Civil War. Award-winning flamenco choreographer and dancer La Tania collaborates on Ainadamar which artfully combines singing, visual arts and flamenco. This poignant story, with a libretto by award-winning playwright David Henry Hwang, is told in flashback through the eyes of Catalan actress Margarita Xirgu, Lorca’s muse and most fervent advocate. Writing in New York magazine, the respected critic Peter G. Davis called Ainadamar a “quiet spellbinder, an astonishing demonstration of how an opera can sound completely contemporary yet still convey its message in very potent lyrical song.”

Ainadamar's cast is dominated by female voices. Acclaimed soprano Marnie Breckenridge, La Princesse in Opera Parallèle’s spring 2011 production of Philip Glass’ Orphée, heads the cast as Margarita Xirgu. Mezzo-soprano Lisa Chavez, who recently portrayed Maria in Frank Loesser’s widely successful The Most Happy Fella in New York City, is featured as the poet and playwright Federico. Soprano Maya Kherani, St. Settlement in Opera Parallèle’s summer 2011 production of Four Saints in Three Acts, portrays Nuria and members of the San Francisco Girls Chorus join singers from the SFCM New Music Ensemble to become the “chorus of girls,” or niñas. Rounding out the cast are bass John Bischoff, Compère in Opera Parallèle’s Four Saints in Three Acts, as Tripaldi; internationally acclaimed gypsy flamenco singer Jesus Montoya as Ruiz Alonso; Andres Ramirez as the bullfighter; and Ryan Bradford as the teacher.

Stage director Brian Staufenbiel’s innovative production concept for Ainadamar utilizes dramatically-integrated video mapping technology. In one scene, a video image of the lead soprano is projected onto a life size statue virtually bringing the statue to life through this layering technique. The set, a floating stage of perforated steel, evokes the parallel levels of heaven and earth and allow the team to explore new dimensions of lighting through projections. Staufenbiel will again be joined by a gifted artistic team including scenic and lighting designer Matthew Antaky, video artist Austin Forbord, costume designer Christine Crook, choreographer La Tania, wig and make-up artist Jeanna Parham and props artisan Valerie Niles.

Opera Parallèle continues the Opera on Display program where the public is invited to look behind the scenes at events that serve as introductions to works currently in progress. A Sneak Preview of Ainadamar – featuring an informal talk by Nicole Paiement and Brian Staufenbiel, live musical excerpts by cast members including Marnie Breckenridge, Lisa Chavez, Maya Kherani and John Bischoff, an introduction to flamenco dance with La Tania and a question and answer session with the audience – takes place 6 p.m. January 30 at the San Francisco Conservatory of Music. A reception with the artists immediately follows. From 6:30 to 8 p.m. February 8 at Kanbar Performing Arts Center,Opera Parallèle presents its popular Open Rehearsal. Viewers are invited to watch the director, conductor and singers work together in an actual staging rehearsal in preparation for performances the following week. At the conclusion of the rehearsal, Nicole Paiement and Brian Staufenbiel will lead the cast and audience members in a lively question and answer session. The Sneak Preview and Open Rehearsal are free and open to the public. Both preview events are offered in intimate locations. Pre-reserved seating is available for donors; the general public can attend on a first-come first-served basis.

One of Opera Parallèle’s primary ambitions is to attract new and younger audiences for opera through intimate performances of contemporary masterworks given in settings appropriate to the music and staging. As part of the company’s pilot program, Engage in Opera, soprano Maya Kherani, who also serves as an intern with Opera Parallèle, will visit both Lowell High School and San Francisco School of the Arts to present interactive experiences based on Golijov’s Ainadamar. As in the past, Opera Parallèle will present a Student Preview Performance on February 14 free of charge to an invited group of music, opera, drama, performing art and production students from Bay Area educational institutions. A wide range of young people attended similar events for the company’s productions of The Great Gatsby, Orphée, Wozzeck and Young Caesar including students from ACT, SFCM, San Jose State, University of California (Santa Cruz), San Francisco State, Mills College and SOTA. Interested educators can apply for an invitation to attend by emailing Opera Parallèle’s administrative assistant, Frank Weisberg, at frank@operaparallele.org.

Don’t miss this opportunity to experience Opera Parallèle’s production of Osvaldo Golijov’s Ainadamar on February 15, 16 and 17, 2013 at San Francisco’s Yerba Buena Center for the Arts’ Lam Research Theater. Tickets priced from $35 to $85 are on sale now. They can be purchased in person at the YBCA’s box office located inside the Galleries and Forum Building, 701 Mission Street at Third, over the phone at (415) 978-ARTS (2787) or online at ybca.org.

Cast List and Biographies of the Artists:

Full biographies of the artists and production team can be found on Opera Parallèle’s website at operaparallele.org.

About Opera Parallèle:

Opera Parallèle is a professional opera company-in-residence at San Francisco Conservatory of Music and the only organization in the Bay Area that presents contemporary opera exclusively. Most recently, Opera Parallèle presented the award-winning world premiere of Jacques Desjardins’ re-orchestration of John Harbison’s The Great Gatsby. In collaboration with SFMOMA, the company presented the critically acclaimed production of the rarely performed Four Saints in Three Acts by composer Virgil Thompson and librettist Gertrude Stein and the world premiere of Luciano Chessa’s A Heavenly Act. In spring 2011 the group produced the Bay Area premiere of Philip Glass’ Orphée and in 2010, the chamber version of Alban Berg’s 20th century masterpiece Wozzeck. In February 2007, Opera Parallèle presented the world premiere of Lou Harrison’s opera Young Caesar in conjunction with what would have been the late composer’s 90th birthday. In prior years, then under the name Ensemble Parallèle with its mission more broadly focused on contemporary music, the company presented 125 performances including 28 world premieres, released 12 recordings and commissioned 19 new works.

As a non-profit 501(c)(3) arts institution, Opera Parallèle must raise support and funds throughout the year to be able to present contemporary opera to a wide audience at affordable prices. This year, for the second time, Opera Parallèle is among the rank of noteworthy arts organizations to receive funding from San Francisco’s Grants for the Arts. Other foundational support comes from the Aaron Copland Fund for Music and Opera America Fund, along with the Phyllis C. Wattis Foundation, Columbia Foundation, Zellerbach Family Foundation, Anne and Gordon Getty Foundation, Bill Graham Memorial Foundation and the Fleishhacker Foundation. Additional information is available at operaparallele.org.

Calendar Editors, Please Note:

What: Sneak Preview of Ainadamar

As part of the company’s Opera on Display Program, the Sneak Preview features Artistic Director Nicole Paiement and Concept Designer Brian Staufenbiel in an informal lecture, live musical excerpts from cast members Marnie Breckenridge, Lisa Chavez, Maya Kherani and John Bischoff, an introduction to flamenco dance with choreographer La Tania as well as a question and answer session with the audience.

Where: Sol Joseph Recital Hall, SFCM

When: 6 p.m. January 30

Tickets: Free and open to the public

Note: This event is offered in an intimate location. Pre-reserved seating is available for donors; the general public can attend on a first-come, first-served basis. Doors open at 5:30 p.m.

What: Open Rehearsal of Ainadamar

Viewers are invited to watch the director, conductor and singers work together in an actual staging rehearsal in preparation for performances the following week. At the conclusion of the rehearsal, Nicole Paiement and Brian Staufenbiel will lead the cast and audience members in a lively question and answer session.

Where: Kanbar Performing Arts Center

When: 6:30 to 8 p.m. February 8

Tickets: Free and open to the public

Note: This event is offered in an intimate location. Pre-reserved seating is available for donors; the general public can attend on a first-come, first-served basis. Doors open at 6 p.m.

What: Student Preview Performance of Ainadamar

As part of the company’s Opera on Display Program, the company will present Ainadamar to an invited group of music, opera, drama, performing art and production students from Bay Area educational institutions.

Where: Yerba Buena Center for the Performing Arts’ Lam Research Theater When: February 14

Tickets: Interested educators can apply for an invitation to attend by emailing Opera Parallèle’s administrative assistant, Frank Weisberg, at frank@operaparallele.org

What: Opera Parallèle Presents Ainadamar

Music by Osvaldo Golijov, libretto by David Henry Hwang. Inspired by the confrontation between poet Federico García Lorca and the Fascist regime during the Spanish Civil War, the opera artfully combines singing, visual arts and flamenco.

Where: Yerba Buena Center for the Performing Arts’ Lam Research Theater

When: 8 p.m. February 15 and 16 and 2 p.m. February 17

Tickets: $35 to $85 with a 10 percent discount for YBCA members and students

The Cast:

Margarita Xirgu, Marnie Breckenridge

Federico García Lorca, Lisa Chavez

Nuria, Maya Kherani

Tripaldi, John Bischoff

Ruiz Alonso, Jesus Montoya

Bullfighter, Andres Ramirez

Teacher, Ryan Bradford

Niñas, San Francisco Girls Chorus and

Women’s Chorus of the SFCM New Music Ensemble

Flamenco dancers, led by La Tania

Artistic and Production Team

Conductor, Nicole Paiement

Stage Director/Concept Designer, Brian Staufenbiel

Scenic and Lighting Designer, Matthew Antaky

Video Artist, Austin Forbord

Choreographer, La Tania

Costumer, Christine Crook

Wig and Make-up Artist, Jeanna Parham

Props Artisan, Valerie Niles

Media Contact:

Karen Ames Communications

Kristin Schellinger: kristin@karenames.com

Karen Ames: karen@karenames.com

(415) 641-7474



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