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PROFESSIONAL GROWTH

Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.

And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.

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Scholarships and Grants

Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.

If you know of a scholarship or grant not mentioned in our lists, please send us a message.

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Performing Arts Industry Events and Conferences

Date Location Event
September 19-21, 2012 Dallas, TX Radio Show
September 19-22, 2012 Miami, FL Performing Arts Exchange
September 21-23, 2012 Munich, Germany Automotive Audio, 48th International Conference
October 11-14, 2012 St. Charles, IL American Music Therapy Association Conference
October 15-18, 2012 Boise, ID Arts Northwest Annual Conference
October 26-29, 2012 San Francisco, CA Audio Engineering Society Convention
November 1-4, 2012 New Orleans, LA American Musicological Society Annual Conference
November 1-4, 2012 New Orleans, LA Society for Ethnomusicology Conference
November 1-4, 2012 New Orleans, LA Society for Music Theory Annual Meeting
November 12-18, 2012 Montreal, QC CINARS (International Exchange for the Performing Arts)
November 14-17, 2012 Dallas, TX Conference for Community Arts Education
November 15-18, 2012 San Diego, CA College Music Society National Conference
November 16-20, 2012 San Diego, CA National Association of Schools of Music Annual Meeting
January 3-6, 2013 Portland, OR National Opera Association Annual Convention
January 11-15, 2013 New York, NY Arts Presenters Conference
January 15-17, 2013 New York, NY International Society for the Performing Arts
January 17-20, 2013 New York, NY Chamber Music America
January 23-26,2013 Toronto, ON Canadian Arts Presenting Association
January 24-27, 2013 Anaheim, CA National Association of Music Merchants Show
January 29-31, 2013 Orlando, FL International Ticketing Association Annual Conference
February 6-8, 2013 London, England Audio for Games, 49th International Conference
February 16-20, 2013 Nashville, TN National Association for Campus Activities National Convention
February 27-March 3, 2013 San Jose, CA Music Library Association Annual Meeting
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
March 6-9, 2013 Tampa, FL American Bandmasters Association Annual Convention
March 9-13, 2013 Anaheim, CA Music Teachers National Association National Conference
March 13-16-,2013 Dallas, TX American Choral Directors Association National Conference
March 20-23, 2013 Milwaukee, WI US Institute for Theatre Technology Annual Conference
April 6-11, 2013 Las Vegas, NV National Association of Broadcasters Show
June 2-7, 2013 Montreal, QC International Congress on Acoustics
June 15-18, 2013 St. Louis, MO Conductors Guild Annual Conference
June 19-22, 2013 Wroclaw, Poland International Society for the Performing Arts
July 10-14, 2013 Chicago, IL Piano Technicians Guild Convention
August 26-30,2013 Los Angeles, CA Western Arts Alliance Conference
October 31-November 3, 2013 Cambridge, MA College Music Society National Conference
January 22-25, 2014 Toronto, ON Canadian Arts Presenting Association
January 28-30, 2014 Chicago, IL International Ticketing Association Annual Conference
March 22-26, 2014 Chicago, IL Music Teachers National Association National Conference
June 23-27, 2014 Boston, MA American Guild of Organists
October 29-November 2, 2014 St. Louis, MO College Music Society National Conference
January 21-24, 2015 TBD Canadian Arts Presenting Association
June 20-23, 2016 Houston, TX American Guild of Organists

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

Law and Disorder:

Performing Arts Division

The legal blog from GG Arts Law


The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.

To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.

Law and Disorder: Performing Arts Division

Agents

Artist Management

Arts Management

Central Withholding Agreements

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For Profits

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Liability

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Touring

Venues

Visas

How-to Videos

iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.

Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.

Introduction

Your Personal Brand

Taking a bow

Accountability

Green Room Dos and Don'ts

How to Say Thank You

When to Pursue Management

How to Find the Right Manager

How Not to "Humble Brag"

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People in the News

New Artist of the Month:
Apollon Musagète Quartett

January 1, 2013 | By Dennis Rooney
MusicalAmerica.com

NEW YORK – Last November, I attended a concert at New York’s Weill Recital Hall by a quartet of which I knew little except that it had a French name that meant “Apollo, leader of the Muses” (the same as the final section of Stravinsky’s ballet, Apollo), and all the members were Polish. But the performances I heard of Haydn, Szymanowski, Josef Suk, and Janácek soon made it plain that the Apollon Musagète Quartett would not long remain little known.

As it turned out, that appearance marked the quartet’s U.S. debut, as confirmed by second violin Bartosz Zachlod when I telephoned him at his home in the German city of Nuremberg (musically famous as the home of Wagner’s Mastersingers). “We had a few other U.S. appearances in the past, like a tour with [crossover artist] Tori Amos in 2011 promoting her CD Night of Hunters recorded for DG, or in 2008 when we did a master workshop with the members of Emerson String Quartet at SUNY Stony Brook, which focused on the practical aspects of the career of a string quartet in addition to playing concerts. But in terms of our concert activities, Carnegie Hall was our U.S. debut.” (It was followed by a performance at the Library of Congress in Washington D.C.)
 
The players (except for cellist Piotr Skweres, who sits atop a platform) stand while performing. It is untraditional and many, including myself, find it quirky.  Zachlod explained: “We had to stand for a performance of Spohr’s Concerto for String Quartet and Orchestra with the Dresden Philharmonic. We discovered that we enjoyed the greater freedom of movement it gave us, so we began performing that way.”
 
Hearing them in Weill Hall, I was impressed by their unanimity of sound and excellent ensemble, but also surprised by how little they looked at each other in the usual manner of a seated foursome. That suggested intense rehearsal, which Zachlod confirmed, adding that they strove to think about a phrase the same way. “If we do that it will sound,” he said. They sometimes rehearse in darkness to emphasize listening over looking. “We can play any piece in our repertoire from memory,” Zachlod said, “but we keep the score before us for all the details beyond the notes, such as dynamics and accents.”
 
Coming together officially in Vienna in 2006, the quartet members learned about each other through the Warsaw Conservatory, which all attended if not simultaneously.  All four regarded their Polish heritage, language, and common cultural background as advantageous. Zachlod explained their name: “We wanted a name that might suggest our musical point of view, a synthesis of the arts under Apollo’s leadership. So it came from classical mythology --  not Stravinsky.”
 
In 2008, the Quartet won first prize and almost all the special prizes at the 57th ARD International Music Competition, perhaps Germany’s most prestigious, wth alumni including the likes of Mitsuko Uchida, Christian  Tetzlaff, and Thomas Quasthoff (the categories rotate). In 2010 came its debut at the Berlin Philharmonie. Soon afterward, it was nominated for the Rising Stars program that brought performances throughout Europe, from Athens to London. Last year, the quartet played 100 concerts.
 
Rehearsals mostly take place in Nuremberg, said Zachlod. “Piotr Skweres lives in Vienna and [violist] Piotr Szumiel in Dresden but [violinist]Pavel Zalejski and I are based in Nuremberg, which is centrally located with easy access to rail and air transportation. We most often rehearse there, because Pavel’s house is spacious. Occasionally, we will use a studio to record something for evaluation, or try something out in a private home concert.”
 
The current season will bring a round of European appearances, but also the start of a stint as BBC 3 New Generation Artists, a two-year appointment that includes broadcasting, concerts, and recordings. Oehms Classics is soon to release a new recording with works by Tchaikovsky, Prokofiev, and Shostakovich. 
 
An increasingly busy schedule, says Zachlod, is gratifying but comes with a cost. “We don’t spend much time apart, and two of us are parents of young children, so we have to work to have private lives.” A sign of professional success if ever there was one.  
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