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PROFESSIONAL GROWTH

Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.

And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.

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AskEdna: Career Advice blog
Law and Disorder: The Law and the Arts blog
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Scholarships and Grants

Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.

If you know of a scholarship or grant not mentioned in our lists, please send us a message.

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Performing Arts Industry Events and Conferences

Date Location Event
September 19-21, 2012 Dallas, TX Radio Show
September 19-22, 2012 Miami, FL Performing Arts Exchange
September 21-23, 2012 Munich, Germany Automotive Audio, 48th International Conference
October 11-14, 2012 St. Charles, IL American Music Therapy Association Conference
October 15-18, 2012 Boise, ID Arts Northwest Annual Conference
October 26-29, 2012 San Francisco, CA Audio Engineering Society Convention
November 1-4, 2012 New Orleans, LA American Musicological Society Annual Conference
November 1-4, 2012 New Orleans, LA Society for Ethnomusicology Conference
November 1-4, 2012 New Orleans, LA Society for Music Theory Annual Meeting
November 12-18, 2012 Montreal, QC CINARS (International Exchange for the Performing Arts)
November 14-17, 2012 Dallas, TX Conference for Community Arts Education
November 15-18, 2012 San Diego, CA College Music Society National Conference
November 16-20, 2012 San Diego, CA National Association of Schools of Music Annual Meeting
January 3-6, 2013 Portland, OR National Opera Association Annual Convention
January 11-15, 2013 New York, NY Arts Presenters Conference
January 15-17, 2013 New York, NY International Society for the Performing Arts
January 17-20, 2013 New York, NY Chamber Music America
January 23-26,2013 Toronto, ON Canadian Arts Presenting Association
January 24-27, 2013 Anaheim, CA National Association of Music Merchants Show
January 29-31, 2013 Orlando, FL International Ticketing Association Annual Conference
February 6-8, 2013 London, England Audio for Games, 49th International Conference
February 16-20, 2013 Nashville, TN National Association for Campus Activities National Convention
February 27-March 3, 2013 San Jose, CA Music Library Association Annual Meeting
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
March 6-9, 2013 Tampa, FL American Bandmasters Association Annual Convention
March 9-13, 2013 Anaheim, CA Music Teachers National Association National Conference
March 13-16-,2013 Dallas, TX American Choral Directors Association National Conference
March 20-23, 2013 Milwaukee, WI US Institute for Theatre Technology Annual Conference
April 6-11, 2013 Las Vegas, NV National Association of Broadcasters Show
June 2-7, 2013 Montreal, QC International Congress on Acoustics
June 15-18, 2013 St. Louis, MO Conductors Guild Annual Conference
June 19-22, 2013 Wroclaw, Poland International Society for the Performing Arts
July 10-14, 2013 Chicago, IL Piano Technicians Guild Convention
August 26-30,2013 Los Angeles, CA Western Arts Alliance Conference
October 31-November 3, 2013 Cambridge, MA College Music Society National Conference
January 22-25, 2014 Toronto, ON Canadian Arts Presenting Association
January 28-30, 2014 Chicago, IL International Ticketing Association Annual Conference
March 22-26, 2014 Chicago, IL Music Teachers National Association National Conference
June 23-27, 2014 Boston, MA American Guild of Organists
October 29-November 2, 2014 St. Louis, MO College Music Society National Conference
January 21-24, 2015 TBD Canadian Arts Presenting Association
June 20-23, 2016 Houston, TX American Guild of Organists

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

Law and Disorder:

Performing Arts Division

The legal blog from GG Arts Law


The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.

To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.

Law and Disorder: Performing Arts Division

Agents

Artist Management

Arts Management

Central Withholding Agreements

Contracts

Copyrights

Employees

For Profits

Independent Contractors

Liability

Licensing

Limited Liability Companies

Music Rights

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Recordings

Taxes

Touring

Venues

Visas

How-to Videos

iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.

Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.

Introduction

Your Personal Brand

Taking a bow

Accountability

Green Room Dos and Don'ts

How to Say Thank You

When to Pursue Management

How to Find the Right Manager

How Not to "Humble Brag"

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Reviews

Timing for Annie Revival: Perfect

November 12, 2012
Associated Press

 

NEW YORK — It is an odd thing indeed to watch Sandy get a huge ovation from New Yorkers.
 
But in a quirk of timing, the storm that has caused so much misery across the city also shares its name with a hairy mutt who stars in a new Broadway revival of Annie.
 
Thankfully, theatergoers are a forgiving sort and the Sandy who bounds about onstage at the Palace Theatre produces mostly appreciative coos — one of the highlights of a somewhat uneven revival that opened Thursday.
 
The slow-to-start musical features an appealing 11-year-old Lilla Crawford in the title role, an overcooked Katie Finneran as Miss Hannigan and a first-rate Anthony Warlow as Daddy Warbucks.
 
James Lapine grounds the most rejiggered show in history — a Great Depression, homelessness on the Lower East Side, soup kitchens and hungry orphans — that may seem virtually documentary these days.
 
Finneran and Warlow seem to be in different shows. If you missed her in her Tony Award-winning turn as a daffy, drunken floozy in Promises, Promises, she reprises it here. In fact, she does very little new, right down to her stretching out words by plunging her voice deep at the end of thoughts and stretching her body onto every piece of furniture. A gifted comedic actress, she is on autopilot here.
 
If Finneran is big and brassy and broad, Warlow is the opposite. This Australian actor brings gravitas and a sumptuous voice to Warbucks. His is a performance of subtlety, of small eyebrow movements — the only thing blustery is his Noo Yawk accent, nailed. Perhaps the reason the first half drags is he’s not in it much.
 
The music by Charles Strouse with lyrics by Martin Charnin contains gems like You’re Never Fully Dressed Without a Smile and Tomorrow, reminding everyone why even Jay-Z came calling to lift something from It’s the Hard Knock Life. Thomas Meehan’s sugary story stands the test of time, even if it sags in spots.
 
In addition to Sandy — actually played by a terrier mix called Sunny in most shows — Annie gets a huge lift from David Korins’ smart, industrious sets, in which the walls of houses move like pages in a book, spiral staircases soar upward, a limo accordians out from a smaller car delightfully, and the grimness of poverty is made stark by a black-and-white Brooklyn Bridge and a homeless camp.
 
Andy Blankenbuehler’s choreography is solid and seamless without being particularly memorable. He’s most effective with the orphans and servants at Warbucks’ home. He’s also choreographed what is basically a gauntlet of beggers as Warbucks and Annie go to the movies singing N.Y.C.
 
While Crawford is excellent, as is usually the case with Annie, a younger orphan often steals your heart. In this show, that would be Emily Rosenfeld as Molly, who is cuter than a dump truck of plush teddy bears.
 
If gritty, tap-dancing orphans running from police and tweaking the highest of authority figures in a grim lower Manhattan sounds familiar, you’re not wrong. The pretty great Newsies has all that, too.
 
But Annie has something that all New Yorkers can hum after Superstorm Sandy: “The sun’ll come out tomorrow/bet your bottom dollar/that tomorrow there’ll be sun!”

 

Copyright © 2012 Associated Press

 

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