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PROFESSIONAL GROWTH

Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.

And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.

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AskEdna: Career Advice blog
Law and Disorder: The Law and the Arts blog
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Scholarships and Grants

Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.

If you know of a scholarship or grant not mentioned in our lists, please send us a message.

Arts Administration

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Conducting

Continuing Education

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Music Education

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Performance: General

Special Needs

Summer

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Performing Arts Industry Events and Conferences

Date Location Event
September 19-21, 2012 Dallas, TX Radio Show
September 19-22, 2012 Miami, FL Performing Arts Exchange
September 21-23, 2012 Munich, Germany Automotive Audio, 48th International Conference
October 11-14, 2012 St. Charles, IL American Music Therapy Association Conference
October 15-18, 2012 Boise, ID Arts Northwest Annual Conference
October 26-29, 2012 San Francisco, CA Audio Engineering Society Convention
November 1-4, 2012 New Orleans, LA American Musicological Society Annual Conference
November 1-4, 2012 New Orleans, LA Society for Ethnomusicology Conference
November 1-4, 2012 New Orleans, LA Society for Music Theory Annual Meeting
November 12-18, 2012 Montreal, QC CINARS (International Exchange for the Performing Arts)
November 14-17, 2012 Dallas, TX Conference for Community Arts Education
November 15-18, 2012 San Diego, CA College Music Society National Conference
November 16-20, 2012 San Diego, CA National Association of Schools of Music Annual Meeting
January 3-6, 2013 Portland, OR National Opera Association Annual Convention
January 11-15, 2013 New York, NY Arts Presenters Conference
January 15-17, 2013 New York, NY International Society for the Performing Arts
January 17-20, 2013 New York, NY Chamber Music America
January 23-26,2013 Toronto, ON Canadian Arts Presenting Association
January 24-27, 2013 Anaheim, CA National Association of Music Merchants Show
January 29-31, 2013 Orlando, FL International Ticketing Association Annual Conference
February 6-8, 2013 London, England Audio for Games, 49th International Conference
February 16-20, 2013 Nashville, TN National Association for Campus Activities National Convention
February 27-March 3, 2013 San Jose, CA Music Library Association Annual Meeting
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
March 6-9, 2013 Tampa, FL American Bandmasters Association Annual Convention
March 9-13, 2013 Anaheim, CA Music Teachers National Association National Conference
March 13-16-,2013 Dallas, TX American Choral Directors Association National Conference
March 20-23, 2013 Milwaukee, WI US Institute for Theatre Technology Annual Conference
April 6-11, 2013 Las Vegas, NV National Association of Broadcasters Show
June 2-7, 2013 Montreal, QC International Congress on Acoustics
June 15-18, 2013 St. Louis, MO Conductors Guild Annual Conference
June 19-22, 2013 Wroclaw, Poland International Society for the Performing Arts
July 10-14, 2013 Chicago, IL Piano Technicians Guild Convention
August 26-30,2013 Los Angeles, CA Western Arts Alliance Conference
October 31-November 3, 2013 Cambridge, MA College Music Society National Conference
January 22-25, 2014 Toronto, ON Canadian Arts Presenting Association
January 28-30, 2014 Chicago, IL International Ticketing Association Annual Conference
March 22-26, 2014 Chicago, IL Music Teachers National Association National Conference
June 23-27, 2014 Boston, MA American Guild of Organists
October 29-November 2, 2014 St. Louis, MO College Music Society National Conference
January 21-24, 2015 TBD Canadian Arts Presenting Association
June 20-23, 2016 Houston, TX American Guild of Organists

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

Law and Disorder:

Performing Arts Division

The legal blog from GG Arts Law


The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.

To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.

Law and Disorder: Performing Arts Division

Agents

Artist Management

Arts Management

Central Withholding Agreements

Contracts

Copyrights

Employees

For Profits

Independent Contractors

Liability

Licensing

Limited Liability Companies

Music Rights

Non-Profits

Presenters

Recordings

Taxes

Touring

Venues

Visas

How-to Videos

iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.

Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.

Introduction

Your Personal Brand

Taking a bow

Accountability

Green Room Dos and Don'ts

How to Say Thank You

When to Pursue Management

How to Find the Right Manager

How Not to "Humble Brag"

NEXT IN THIS TOPIC

Special Reports

Best Practices: Facebook Marketing for Arts Organizations

August 30, 2012 | By Erik Gensler

While there are many social marketing options for performing arts organizations, Facebook remains at the center of social media activities for building and maintaining an audience—and driving ticket sales and other business goals. In developing a strategy to most effectively use Facebook, it is useful to think of the social platform
and its tools as a metaphorical megaphone.

The Facebook “megaphone” is primarily used in three ways:

  • Broadcasting your message and content to your Facebook audience
  • Passing others the megaphone to use
  • Turning up the “volume” of the content you’re delivering through the megaphone

Using the megaphone to broadcast
Facebook provides the platform and tools to create and distribute your wn content. Your organization uses the megaphone to distribute your content (images, videos, reviews, etc.) and users are responding to the content with Likes and comments and shares.

This is what many arts organizations think of as their Facebook strategy: building a community of people who “like” the organization and serving content users react to and (hopefully) share.

In this scenario, success is getting the largest possible group of interested people to see and interact with your content. So you must first build a large community of users who Like you and, secondly, serve them engaging content.

To build engagement, it’s important to understand Facebook’s EdgeRank.

EdgeRank is the algorithm—the formula—Facebook uses to determine what appears in users’ news feeds. There is enormous information from a variety of sources available to Facebook users and the news feed is the order in which that information appears. It determines not only how important you are to your connections, meaning how frequently your content appears, but also what kinds of content appear higher than others.

A good EdgeRank can increase the number of people who see your post by five times. Take two hypothetical organizations, both with 1,000 fans. Organization A gets frequent Likes, comments, and shares on its posts. Organization B does not. Because of this, a typical post by Organization A will be shown to 500 people while a typical post by Organization B will be shown to 100 people. Big difference.

EdgeRank is based on three factors:

  • Individual user interest: A user is more likely to be shown your post if he has interacted with your content in the past.
  • Post interest: If Facebook sees the posted content is getting Likes and comments, the post will be shown to more people.
  • Time decay: Newer posts show up more and lose value over time.

There’s not much you can do about #3, but to help with #1 and #2 you need each post to garner Likes, comments, clicks, and shares to boost your EdgeRank.

It’s important not to only use to broadcast content, since this treats the platform as a one-way communication, like email or even direct mail, and truly doesn’t leverage the power of the “social” part of the social network. The real power of Facebook comes when you can get people who care about you to post on your behalf. Which takes us to…

Passing the megaphone
To really increase your impressions, engagements and, ultimately, sales, users need to post about your organization on Facebook. What is better than an endorsement post such as: “Just saw Show XYZ at Theater ABC. It was amazing. [link to your website]”

Most organizations are not measuring these interactions. A look at the analytics usually reveals that each time a user posts a link to a site, it gets anywhere from 500 to 2,000 endorsed impressions on Facebook and anywhere from 2 to 20 clicks back to the site. This is Facebook gold.

Smart marketers should measure these share interactions and build tools to encourage shares.

Encouraging shares
Add Facebook Domain Insights code to your site. It’s very simple; have a look: http://developers.facebook.com/docs/insights/

Once installed, you can get these stats at: Facebook.com/Insights. Here, you can see Actions (number of links posted by users on Facebook to your site), Distribution on Facebook (endorsed impressions), and the Referral Traffic to Back to your Site (how many users clicked the link).

Turning up the volume
Facebook advertising works great for arts organizations because it can massively increase your reach versus just relying on creating your own content. This is called “turning up your megaphone.” Plus, advertising allows you to target by interest and demographics. You want to reach female, college educated dance lovers over age 35 within 25 miles of Chicago? No problem.

There are two ad types that can help arts organizations increase the number of fans and amplify reach:

1. Page Like Stories: These ads show the name of your organization and the name of any users’ friend who Likes it. The only call to action is to Like your page. These work great and are an inexpensive way to acquire new fans. Social ads—ones with the names of friends attached—get far more clicks than non-social ads. Make sure to add the demographic targeting on top of these ads to target the type of audience you want to reach.

2. Page Post Sponsored Story Ads. Say you create a short promotional video of an upcoming performance. If you show this to your universe of, say, 10,000 fans, perhaps 2,000 people will see it. If you turn the video into a Page Post Sponsored Story, it can be seen by hundreds of thousands of people, fans and non-fans alike.

Facebook offers an option to add sponsored content to its News Feed.

Focus on these areas and you will be on your way to building a large and engaged community on Facebook—a community that is responsive and receptive to your organization’s offerings, which will ultimately lead to more ticket sales and donations. 


 

 

Erik Gensler is the president of digital marketing consulting firm Capacity Interactive, whose clients include leading arts organizations; founder of Digital Marketing Boot Camp for Arts Marketers, an annual conference for arts marketers in NYC each October; has presented conference sessions on digital marketing; and has guest lectured at Columbia, NYU, and Baruch College.

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