PROFESSIONAL GROWTH
Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.
And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.
US/Canada Arts Administration Degree Programs
Music Schools & Departments
Summer Music Camps & Special Programs
Services & Professional Music Orgs (non-profit)
Performing Arts Industry Events and Conferences
AskEdna: Career Advice blog
Law and Disorder: The Law and the Arts blog
How-to Videos
Scholarships and Grants
Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.
If you know of a scholarship or grant not mentioned in our lists, please send us a message.
Performing Arts Industry Events and Conferences
Edna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.
Communicating with Your Audience
During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.
Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”
Law and Disorder:
Performing Arts Division
The legal blog from GG Arts Law
The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.
Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.
To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.
Law and Disorder: Performing Arts Division
Central Withholding Agreements
How-to Videos
iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.
Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.
Special Reports
Heavy Lifting: Works of Notorious Notes
(from the experience of Janet Horvath, associate principal cello of the Minnesota Orchestra and author of Playing (Less) Hurt—An Injury Prevention Guide For Musicians.)
Ravel’s Bolero requires 5,144 strokes from the snare drum. This does not take into account the tremendous control necessary to be unwaveringly steady in rhythm and to build from the very soft opening to the huge climax at the end of the piece—all within just 14 minutes.
Mahler’s Symphony No. 5 has 940 measures of eighth notes in the cello part, and even more for the violins. That totals 6,400 left-hand movements in the fourth movement alone.
John Adams’s Harmonielehre requires 976 repeated eighth notes for flute, piccolo, clarinet, piano, and harp in the first 94 bars of Part 3.
Danse de la Terre in Stravinsky’s Rite of Spring starting at rehearsal No. 75 has 360 notes. Our orchestra has performed this in 36 seconds!
Sibelius Oceanides in 22 measures has 589 bow strokes. I approached our Maestro about this in rehearsal and said, “Osmo [Vänskä], from here to here we have to perform 589 bow strokes!” He appeared taken aback for a moment and then he bopped me on the head with his baton and replied, “Thank you for counting.”
NETWORK
