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PROFESSIONAL GROWTH

Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.

And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.

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Summer Music Camps & Special Programs

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US/Canada Services & Products (Commercial)
Services & Professional Music Orgs (non-profit)

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Scholarships and Grants
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AskEdna: Career Advice blog
Law and Disorder: The Law and the Arts blog
How-to Videos

Scholarships and Grants

Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.

If you know of a scholarship or grant not mentioned in our lists, please send us a message.

Arts Administration

Chamber Music

Choral

Church Music

Composition

Conducting

Continuing Education

Graduate Students

Grants

High School

Instrumental

Jazz

Music Education

Music Theatre

Music Therapy

Performance: General

Special Needs

Summer

Vocal

Performing Arts Industry Events and Conferences

Date Location Event
September 19-21, 2012 Dallas, TX Radio Show
September 19-22, 2012 Miami, FL Performing Arts Exchange
September 21-23, 2012 Munich, Germany Automotive Audio, 48th International Conference
October 11-14, 2012 St. Charles, IL American Music Therapy Association Conference
October 15-18, 2012 Boise, ID Arts Northwest Annual Conference
October 26-29, 2012 San Francisco, CA Audio Engineering Society Convention
November 1-4, 2012 New Orleans, LA American Musicological Society Annual Conference
November 1-4, 2012 New Orleans, LA Society for Ethnomusicology Conference
November 1-4, 2012 New Orleans, LA Society for Music Theory Annual Meeting
November 12-18, 2012 Montreal, QC CINARS (International Exchange for the Performing Arts)
November 14-17, 2012 Dallas, TX Conference for Community Arts Education
November 15-18, 2012 San Diego, CA College Music Society National Conference
November 16-20, 2012 San Diego, CA National Association of Schools of Music Annual Meeting
January 3-6, 2013 Portland, OR National Opera Association Annual Convention
January 11-15, 2013 New York, NY Arts Presenters Conference
January 15-17, 2013 New York, NY International Society for the Performing Arts
January 17-20, 2013 New York, NY Chamber Music America
January 23-26,2013 Toronto, ON Canadian Arts Presenting Association
January 24-27, 2013 Anaheim, CA National Association of Music Merchants Show
January 29-31, 2013 Orlando, FL International Ticketing Association Annual Conference
February 6-8, 2013 London, England Audio for Games, 49th International Conference
February 16-20, 2013 Nashville, TN National Association for Campus Activities National Convention
February 27-March 3, 2013 San Jose, CA Music Library Association Annual Meeting
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
February 27-March 2, 2013 Providence, RI American String Teachers Association National Conference
March 6-9, 2013 Tampa, FL American Bandmasters Association Annual Convention
March 9-13, 2013 Anaheim, CA Music Teachers National Association National Conference
March 13-16-,2013 Dallas, TX American Choral Directors Association National Conference
March 20-23, 2013 Milwaukee, WI US Institute for Theatre Technology Annual Conference
April 6-11, 2013 Las Vegas, NV National Association of Broadcasters Show
June 2-7, 2013 Montreal, QC International Congress on Acoustics
June 15-18, 2013 St. Louis, MO Conductors Guild Annual Conference
June 19-22, 2013 Wroclaw, Poland International Society for the Performing Arts
July 10-14, 2013 Chicago, IL Piano Technicians Guild Convention
August 26-30,2013 Los Angeles, CA Western Arts Alliance Conference
October 31-November 3, 2013 Cambridge, MA College Music Society National Conference
January 22-25, 2014 Toronto, ON Canadian Arts Presenting Association
January 28-30, 2014 Chicago, IL International Ticketing Association Annual Conference
March 22-26, 2014 Chicago, IL Music Teachers National Association National Conference
June 23-27, 2014 Boston, MA American Guild of Organists
October 29-November 2, 2014 St. Louis, MO College Music Society National Conference
January 21-24, 2015 TBD Canadian Arts Presenting Association
June 20-23, 2016 Houston, TX American Guild of Organists

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

Law and Disorder:

Performing Arts Division

The legal blog from GG Arts Law


The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.

To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.

Law and Disorder: Performing Arts Division

Agents

Artist Management

Arts Management

Central Withholding Agreements

Contracts

Copyrights

Employees

For Profits

Independent Contractors

Liability

Licensing

Limited Liability Companies

Music Rights

Non-Profits

Presenters

Recordings

Taxes

Touring

Venues

Visas

How-to Videos

iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.

Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.

Introduction

Your Personal Brand

Taking a bow

Accountability

Green Room Dos and Don'ts

How to Say Thank You

When to Pursue Management

How to Find the Right Manager

How Not to "Humble Brag"

NEXT IN THIS TOPIC

Special Reports

Insuring Your Staffers: An Informal Survey

May 31, 2012 | By Gail Wein

We asked our intrepid reporter…
… to do a completely unscientific survey of small-business CEOs in the arts and the group health care plan they chose for their employees. We wanted to know what insurers they use and why.

We discovered that group insurance options for small businesses in the arts are essentially no different from those offered to other businesses. With the proviso that laws and providers vary from one part of the country to another, and that some of our colleagues were more forthcoming
than others, the following is a brief guide for small to mid-size businesses seeking group health insurance.

Alliance Artist Management (New York, NY)
Alliance Artist Managing Partner Rob Robbins chose The Blue Cross Blue Shield Association over Oxford. He said he did so because it covers multiple states and Alliance’s other managing partner, David Middleton, resides in Rhode Island; Oxford Health Plans, LLC, a division of United HealthCare Services, Inc., was not available in Rhode Island. Though Robbins said he is satisfied with Blue Cross Blue Shield, he added, “I don’t know anyone who is happy with their insurance company. You don’t win in this game; it’s just bloody expensive. There’s no point in changing companies, because the rates will increase anyway.”

Alliance Artist Management covers the lion’s share of the premium payment for all four of its employees (including the managing partners). “We felt like we had to,” said Robbins. “It was an aching decision to make, but as a business owner, I felt it was important to offer this benefit which other organizations the same size might not provide.”

Ironically, the day after our interview, Robbins called to say he had received notice of a 25 percent increase in premiums.

Virginia Arts Festival (Norfolk, VA )
Virginia Arts Festival has 28 eligible employees (i.e., people who work at least 30 hours a week); 24 participate in the company’s health insurance plan, Optima Vantage HMO, one of the Optima
Health Insurance Co.
’s options. Finance Director Sandy Robinett decided to work through a broker and, after reviewing a number of them, he chose TFA Benefits, affiliated with TowneBank in Hampton Roads, VA. He has high praise for their rep: “She is awesome, she always responds rapidly,” says Robinett.

VAF is pleased with the current plan, but Robinette re-evaluates it every year to make sure it’s the best and most cost-effective.

The Schubert Club (St. Paul, MN)
The Schubert Club, the Twin Cities’ venerable recital and chamber music presenter, had been getting its health insurance as part of a consortium of small arts organizations in the region. Executive and Artistic Director Barry Kempton was of the opinion that the bigger the group, the better the deal. His broker, however, Gallagher Benefit Services, advised against it, arguing that the insurance needs of the other organizations could result in higher rates for the entire consortium. Schubert Club’s 10 full-time employees are on the Medica plan and are happy with it.

The Pacific Symphony (Santa Ana, CA)
Like all union orchestras, Pacific Symphony’s musicians are covered by the American Federation of Musicians’ insurance plan [see Group Health Insurance Plans for Performing Artists]. Executive VP and COO Sean Sutton chose United HealthCare for his 45-member staff, not just for the basics, but also for dental, vision, disability, life, and health. “We try to bring balance and depth of coverage to the extent of our financial capacity,” said Sutton.

He advised using a broker, since brokers have a broad perspective on the field and there’s no extra cost involved. “Still,” he said, “you must educate yourself; don’t just rely [solely] on the broker.” Like Robinette at the Virginia Arts Festival, Sutton re-evaluates his plan regularly.

Concert Artists Guild (New York, NY)
Concert Artists Guild, a management company for up-and-coming performers, has eight employees who are eligible for its insurance plan, three of whom participate. Executive Director Richard Weinert chose Oxford because it offers group plans for small companies with as few as one or two employees. He opted not to work with a broker.

 

To Broker or Not to Broker?
Brokers can not only help groups to find the right plan, they can also provide support throughout the year, such as intervening if there is an issue concerning a claim. Brokers’ commissions are built into the insurance rate. In other words, your policy will cost the same whether you use one or not.

However, there may be a downside to using a broker. According to a recent article on MedSave.com, health insurance companies are increasingly unwilling to pay independent benefits brokers a commission for signing up small-business customers. If you rely solely on a broker’s pitches, you may be missing out on other available plans. In other words, do your homework.

 

Gail Wein is a media consultant and music journalist and has written for The Washington Post and Symphony magazine, among other publications. She is also a former producer of National Public Radio’s Performance Today. In a previous life, Wein was an actuary for Aetna and Towers Watson insurance companies.
 

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