
PROFESSIONAL GROWTH
Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.
And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.
US/Canada Arts Administration Degree Programs
Music Schools & Departments
Summer Music Camps & Special Programs
Services & Professional Music Orgs (non-profit)
Performing Arts Industry Events and Conferences
AskEdna: Career Advice blog
Law and Disorder: The Law and the Arts blog
How-to Videos
Scholarships and Grants
Musical America routinely updates the list of scholarships and grants in an effort to keep current and ensure opportunities for musicians.
If you know of a scholarship or grant not mentioned in our lists, please send us a message.
Performing Arts Industry Events and Conferences
Edna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.
Communicating with Your Audience
During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.
Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”
Law and Disorder:
Performing Arts Division
The legal blog from GG Arts Law
The law plays an integral part in the performing arts, whether it's dealing with visas, copyrights, contracts, taxes, licensing, employees, venues . . . well, you get the idea.

Law and Disorder: Performing Arts Division is written by the attorneys at GG Arts Law. GG specializes in entertainment law as well as visas and immigration issues for foreign artists and performers.
To ask your own question, write to lawanddisorder@musicalamerica.org. Click below to review answers to key questions about the business and law affecting the performing arts.
Law and Disorder: Performing Arts Division
Central Withholding Agreements
How-to Videos
iCadenza helps musicians of all career stages break through challenges and pursue their goals with confidence and joy. Through our individual consulting, workshops, and our Career Development Bootcamp, we help classical musicians develop strong personal brands, create action plans, and sharpen their mental game. We are happy to offer a free 1-hour consultation to readers of Musical America. Send an email and mention MusicalAmerica.com to arrange your free consulation.
Musical America and iCadenza are committed to providing up-to-date career development resources to emerging professional musicians. Send your questions to info@MusicalAmerica.com. You'll find a list of videos below.
Special Reports
Insuring Your Staffers: An Informal Survey
We asked our intrepid reporter…
… to do a completely unscientific survey of small-business CEOs in the arts and the group health care plan they chose for their employees. We wanted to know what insurers they use and why.
We discovered that group insurance options for small businesses in the arts are essentially no different from those offered to other businesses. With the proviso that laws and providers vary from one part of the country to another, and that some of our colleagues were more forthcoming
than others, the following is a brief guide for small to mid-size businesses seeking group health insurance.
Alliance Artist Management (New York, NY)
Alliance Artist Managing Partner Rob Robbins chose The Blue Cross Blue Shield Association over Oxford. He said he did so because it covers multiple states and Alliance’s other managing partner, David Middleton, resides in Rhode Island; Oxford Health Plans, LLC, a division of United HealthCare Services, Inc., was not available in Rhode Island. Though Robbins said he is satisfied with Blue Cross Blue Shield, he added, “I don’t know anyone who is happy with their insurance company. You don’t win in this game; it’s just bloody expensive. There’s no point in changing companies, because the rates will increase anyway.”
Alliance Artist Management covers the lion’s share of the premium payment for all four of its employees (including the managing partners). “We felt like we had to,” said Robbins. “It was an aching decision to make, but as a business owner, I felt it was important to offer this benefit which other organizations the same size might not provide.”
Ironically, the day after our interview, Robbins called to say he had received notice of a 25 percent increase in premiums.
Virginia Arts Festival (Norfolk, VA )
Virginia Arts Festival has 28 eligible employees (i.e., people who work at least 30 hours a week); 24 participate in the company’s health insurance plan, Optima Vantage HMO, one of the Optima
Health Insurance Co.’s options. Finance Director Sandy Robinett decided to work through a broker and, after reviewing a number of them, he chose TFA Benefits, affiliated with TowneBank in Hampton Roads, VA. He has high praise for their rep: “She is awesome, she always responds rapidly,” says Robinett.
VAF is pleased with the current plan, but Robinette re-evaluates it every year to make sure it’s the best and most cost-effective.
The Schubert Club (St. Paul, MN)
The Schubert Club, the Twin Cities’ venerable recital and chamber music presenter, had been getting its health insurance as part of a consortium of small arts organizations in the region. Executive and Artistic Director Barry Kempton was of the opinion that the bigger the group, the better the deal. His broker, however, Gallagher Benefit Services, advised against it, arguing that the insurance needs of the other organizations could result in higher rates for the entire consortium. Schubert Club’s 10 full-time employees are on the Medica plan and are happy with it.
The Pacific Symphony (Santa Ana, CA)
Like all union orchestras, Pacific Symphony’s musicians are covered by the American Federation of Musicians’ insurance plan [see Group Health Insurance Plans for Performing Artists]. Executive VP and COO Sean Sutton chose United HealthCare for his 45-member staff, not just for the basics, but also for dental, vision, disability, life, and health. “We try to bring balance and depth of coverage to the extent of our financial capacity,” said Sutton.
He advised using a broker, since brokers have a broad perspective on the field and there’s no extra cost involved. “Still,” he said, “you must educate yourself; don’t just rely [solely] on the broker.” Like Robinette at the Virginia Arts Festival, Sutton re-evaluates his plan regularly.
Concert Artists Guild (New York, NY)
Concert Artists Guild, a management company for up-and-coming performers, has eight employees who are eligible for its insurance plan, three of whom participate. Executive Director Richard Weinert chose Oxford because it offers group plans for small companies with as few as one or two employees. He opted not to work with a broker.

To Broker or Not to Broker?
Brokers can not only help groups to find the right plan, they can also provide support throughout the year, such as intervening if there is an issue concerning a claim. Brokers’ commissions are built into the insurance rate. In other words, your policy will cost the same whether you use one or not.
However, there may be a downside to using a broker. According to a recent article on MedSave.com, health insurance companies are increasingly unwilling to pay independent benefits brokers a commission for signing up small-business customers. If you rely solely on a broker’s pitches, you may be missing out on other available plans. In other words, do your homework.

Gail Wein is a media consultant and music journalist and has written for The Washington Post and Symphony magazine, among other publications. She is also a former producer of National Public Radio’s Performance Today. In a previous life, Wein was an actuary for Aetna and Towers Watson insurance companies.










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