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Musical America has developed the most advanced search in the international performing arts industry. Click on the tabs below to identify the managers, artists, presenters, businesspeople, organizations and media who make up the worldwide performing arts community.


Management companies that advertise in the print edition have a hyperlink to their Artist Roster.

(If you would like to advertise in the Directory and receive the benefit of having your roster appear in this database, please click here.)

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Special Reports

Winners Tell Their Stories:
Christine Goerke

May 1, 2012 | Eugenia Zukerman
Christine Goerke, Soprano Recipient of the 2001 Richard Tucker Award New York, NY What was the atmosphere at the Competition? Did just being there help your career? There are different award levels at Tucker. For study and career grants, … »Read
 

Special Reports

Winners Tell Their Stories:
Emanuel Ax

May 1, 2012 | Eugenia Zukerman
Emanuel Ax, Pianist Winner 1974 Arthur Rubinstein International Competition Tel Aviv, Israel Why did you enter the Competition? At age 25, I had just been taken on as a Young Concert Artist and I was already playing concerts. I entered the first … »Read
 

Special Reports

Winners Tell Their Stories:
Carol Wincenc

May 1, 2012 | Eugenia Zukerman
Carol Wincenc, Flutist Winner 1978 Walter W. Naumburg International Flute Competition, New York, NY  (Photo: Christian Steiner) What was the atmosphere at the Competition? Did just being there help your career? By the time I had … »Read
 

Special Reports

Winners Tell Their Stories: Nigel Armstrong

May 1, 2012 | Susan Elliott
Nigel Armstrong, Violinist Winner Best Performance of a Commissioned Work Winner Fourth Place, 2011 Tchaikovsky International Competition, St. Petersburg and Moscow, Russia.   What was the atmosphere like at the competition? Did just being … »Read
 

Special Reports

What Do the Judges Look For?

May 1, 2012 | Sarah Bryan Miller
What do judges look for as they decide who’s the “best” artist in a competition? Technical perfection at the expense of interpretive distinction? How much does stage presence matter? Do they argue? Fight for their candidate? Are … »Read
 

Special Reports

Managers: Do Competitions Matter? (or not)

May 1, 2012 | George Loomis
If being on the roster of an artist management firm is key to having a successful career, then how important is it to a manager that an artist be a competition winner? Would it be the deciding factor in whether to sign someone? Three different … »Read
 
 

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